Artwork exhibit quietly maps the achievements of Kansas women of all ages who ‘lived superior lives’ | Information, Sporting activities, Careers



image by: Mike Yoder


Lawrence artist Liza MacKinnon functions in her dwelling studio in central Lawrence. At right and on the wall powering MacKinnon are some of the attire she’s designed out of maps in honor of a assortment of Kansas ladies. At still left is a figurine of the Mexican painter Frida Kahlo.


From a length the show wall of the Lawrence Public Library seems to be like a show wall in a Laura Ashley retail outlet — with its neat row of children’s attire in an array of pastel and floral fabrics.

But get nearer and you see that the attire — meant to honor Kansas girls — are manufactured of some thing considerably much more prosaic: paper maps.

The dress styles aren’t blossoms and leaves and vines, but interstates, rivers and metropolis streets.

The “paper masquerading as fabric” is an outcome that Lawrence artist Liza MacKinnon loves — not just for the “oh, wow” reaction it elicits in viewers but also for the artistry of it.

photo by: Mike Yoder

Lawrence artist Liza MacKinnon’s attire designed of maps are shown at the Lawrence General public Library. The demonstrate operates via June.

“It’s truly really hard because paper just will not drape, and striving to make it glimpse like a gentle gathering alternatively of definitely tough creases, that is a obstacle I appreciate,” she suggests.

The maps are generally of Kansas, MacKinnon suggests, featuring the condition and its main metropolitan spots — maps that you can get at just about any gas station. But some have a a lot more microscopic concentration, these as the streets of Old West Lawrence depicted in many years-previous prints.

“I feel they may possibly be from the 1970s or ’80s,” MacKinnon states, “like hand-drawn community maps for community scheduling uses.”

Why does she use maps?

“Because they’re the most beautiful utilitarian artwork out there,” MacKinnon claims, noting that she majored in geography in higher education and has retained an artist’s appreciation — just one senses an adventurer’s far too — for the cartographer’s craft.

And why the small dimension if these attire are meant to honor women?

To start with off, “the appeal” of compact factors, MacKinnon says. But far more importantly, an adult-sizing gown “just would not get the job done as well” for equally sensible and aesthetic good reasons.

“We’re actually fortuitous that the point out of Kansas is a rectangle — so when I use a map I get to demonstrate off all of Kansas. If I had to do a entire grownup dimension, I would be utilizing multiple maps, and so then there would be seams … and there is just a natural beauty in getting it be the very same scale as the actual map.”

picture by: Mike Yoder

A gown in Lawrence artist Liza MacKinnon’s show at the Lawrence Public Library is titled “Springtime for Mary” in honor of Mary Patterson Langston, the grandmother of writer Langston Hughes.

picture by: Mike Yoder

Lawrence artist Liza MacKinnon’s gown “Springtime for Mary” options a map of the japanese parts of Lawrence, where Mary Patterson Langston lived with her grandson Langston Hughes.

Each and every dress in the show, titled “A Kansas Childhood,” honors a Kansas lady, including early suffragists, writers and civil legal rights pioneers. There is Hattie Anderson Elliott, an abolitionist and a single of Lawrence’s founders who saw Kansas changeover from territory to state Lucy Hobbs Taylor, a suffragist and the initial female to graduate from dental faculty Sara Robinson, a author and Kansas’ first initially girl Susan Shelby Magoffin, one of the to start with females to travel the Santa Fe Path Mary J. “Mamie” Dillard, a teacher who influenced the young Langston Hughes and numerous far more.

Notably absent are some of Kansas’ most famed women: Amelia Earhart, Hattie McDaniel, Nancy Landon Kassebaum. The omission was intentional, says MacKinnon, who chose to aim significantly less on people who are previously properly-known and much more on men and women who ought to be superior recognized — “the quieter people today,” as she puts it, “who lived very good life and who in the extended operate impacted our life.”

Most of the gals, from many pieces of the state, are from the 19th century, but at the very least 1 is alive and well and dwelling in Lawrence: Meg Heriford, proprietor of Ladybird Diner. MacKinnon chose to honor Heriford following the downtown restaurant operator commenced presenting absolutely free bagged lunches to any one in want, even whilst her individual small business was forced to shut down through the coronavirus pandemic.

1 of MacKinnon’s favored parts in the exhibit is an homage to Eva Jessye, an African American choral conductor from Coffeyville who acquired prominence through the Harlem Renaissance and who served as the choral coach for George Gershwin’s “Porgy and Bess.”

The Jessye dress was the final just one she made before the exhibit opened previously this spring, and she labored to get the aspects just right.

“I put in 20 to 25 hours embroidering it,” she claims.

Each map costume has numerous elaborations — painted information, collage operate, embroidered hemlines or bodices, a velvet ribbon right here and there. Jessye’s costume is fittingly adorned with a panel of colorful songbirds.

The achievements of the show — a next installment was just included Tuesday soon after brisk profits of the very first — has been a nice surprise for MacKinnon.

“People are truly connecting,” she suggests. “They really like that (the artwork) is hooked up to a particular person and they have some form of connection with that man or woman. And then also they really like that it’s maps.” Due to the fact the attire are baby-sized and so nostalgia-inducing, a good deal of people today inform MacKinnon “this is what I wore” or “this is what I put my little ones in.”

Shawn Reaves, who acquired a gown titled “Midwestern Childhood,” claims she bought it for her partner’s birthday as a kind of tribute to the Kansas upbringing equally females experienced. Her partner is a admirer of outdated-time paper dolls, and the diminutive attire introduced that aesthetic to mind. Reaves was touched, she suggests, by the repurposed map’s instant familiarity, the way it resonated with a feeling of time — and a pretty distinctive position.

The present “A Kansas Childhood” runs by means of the finish of June at the Lawrence Public Library, 707 Vermont St. MacKinnon’s artwork can also be viewed on her internet site,


picture by: Mike Yoder

In addition to dresses that are made to be hung on a wall, Lawrence artist Liza MacKinnon is working on a series of no cost-standing attire produced with maps, images and other items of paper. Pictured at heart in her property studio is one based on the life and legacy of Lucy Hobbs Taylor, the initial American woman to receive a doctorate in dental operation. At correct is a single that will join the current Lawrence General public Library show.

Much more about Liza MacKinnon:

The tiny dresses are an offshoot of MacKinnon’s main perform, which is developing a few-dimensional costumes symbolizing historic girls like Frida Kahlo, Marie Antoinette and Marie Curie — designed from maps of Mexico, tax varieties and X-ray movies, respectively.

Her latest working day task is at the library, in the interlibrary personal loan department, but she spends her cost-free time in her studio building art. When the clothing sculptures have been her passion for the past number of a long time, she has been an artist all her everyday living and has labored in various media, which include sculpture, jewelry, ceramics, textiles, e-book-binding and graphic style. Her work has been revealed at venues across the place.

MacKinnon grew up in Boulder, Colo., attended the College of Colorado, then expended 20 decades in Seattle ahead of heading back again east in 2007 to settle in Lawrence, wherever she has family members. In addition to making her have art, she has spent lots of a long time teaching different artwork lessons at the library and at the Lawrence Arts Middle.

“It has been a significant component of my inventive aesthetic,” she states, “to move along techniques and enable people get in contact with their inherent creativity.”